Humor Project: Baseline

Wanted:  Sense of Humor

I have known for years that I lack of sense of humor.  Proof:  I married a Hungarian physicist.  And he has a better sense of humor than me. 

His Hungarian humor, however, often made my heart shrivel a little.  Yet he knew countless jokes.  And I did not.  Late at night the Hungarians start to sing or tell jokes.  The jokes usually come first.  After several more rounds the singing erupts.  Do we do that in America?  I can say with certainty that we never burst into song at a party in high school or college.  (Well, my choir friends in college did occasionally burst into Gregorian chant.  It was a Catholic School.)  I didn’t grow up around joke-tellers. Maybe it was because drinking was taboo in our family.  But I will argue that my upbringing was humor-defiant.  We are not a joke-telling people in central Kansas.  But humor is more than jokes.  And we did enjoy a sense of adventure and fun. However, fair play was valued above all.  And humor relies on violating the rules of fair play.  But I am getting ahead of myself.

Back in college I first clearly articulated my lack of humor.  Yes, identifying the problem was the first step in acceptance.  The problem was that once I knew my disorder I was content to see myself as disabled, or differently-abled.  I was not the girl at the center of the room. No one hung on my every word or couldn’t keep their eyes off me because I fascinated them with my slapstick tales, my clever commentary about pop culture, or riffs on modern dating.  I was the one who got us there on time and arranged for a designated driver, most often, me. 

I discovered my lack of humor because my college roommate had the sharpest wit in the room.  Friends would gather in our dorm room to enjoy her endless zany ruminations about life.  I was the straight guy, as it were.  I was skinny and serious and went to class.  She was curvy and hilarious.  If she needed to stay home from class for a week to lounge in her bed and reread great books, particularly Jane Austen, her professors called the room to find her because they missed her lively presence and astute contributions to class discussions.  Another straight friend of mine marveled at her stories, sense of adventure, and her mesmerizing verbosity.  There was a fateful moment when we both realized:  that verve, that zing, that sense of the absurd that she has, we don’t have that.  We are not funny people.  At least there were two of us.  I was so unfunny that I wrote a paper on the theology of humor (now lost).  Seriously, does it get any sadder than trying to compose a cogent essay about the deep metaphysics of humor?

It was in college that I confessed my pathological lack of humor.  But looking back, there were symptoms much sooner.  For example, there was the dreaded questionnaire.  At the start of a new camp or the end of high school—there were multiple painful occasions—I was asked to respond to a series of questions.  What is your favorite food?  French Fries.  Your motto?  Be Yourself.  If you could go anywhere in the world, where would it be?  Rome.  What is your favorite class?  World History.  Inevitably the questionnaire contained the following item:  What is your most embarrassing moment?

It was easy and even enjoyable to provide answers for my favorite food, favorite memory, or greatest accomplishment. It was a way to simultaneously discover and invent myself.  I don’t know who concocted those prompts.  Were they used to elicit material for the yearbook?  Maybe they were used as icebreakers at camps or in college dorms?  At any rate, the one question I abhorred was, What is your most embarrassing moment?  It was painful because I could never, ever, think of one.  Of course I embarrassed myself.  I made mistakes. I said the wrong thing. I wore the wrong thing.  But I didn’t find these incidents embarrassing.  I found them shameful. 

Why did I feel shame? Maybe it was because I was Catholic?  Maybe it was because I was a girl with a sharply honed case of perfectionism?  No.  It was because I lacked a sense of humor.  If I could have laughed at myself, those experiences would have been funny and thus embarrassing.  Instead, there was no laughter.  There was a thorough examination of the antecedents, the event, and its consequences. There was problem solving.  There were long hours of self-examination.  Instead of pink cheeks from laughter with my friends about it, there were hours of journal writing.  I had no embarrassing moments to list on my get-to-know-me icebreaker.  I left it blank.  That was my greatest embarrassment.  I should have known then about my lack of humor.  But I didn’t understand the problem yet. 

Now I understand the problem.  And I want to develop my sense of humor.  What’s a bookish grown-up straight girl to do?  Research the topic. Write about it. Exercise my humor muscles. 

Why do something about it now?  I need my humor.  I am a parent now.  Parenthood makes it clear that my lack of humor is problematic.  When my son launched a filthy plastic triceratops across the kitchen and it splash-landed in the steaming hot pot of broccoli soup I was stirring, what was the proper response?  I did not laugh.  I should have laughed.

This is the beginning of my humor project.  I want to explore my personal humor history and hopefully develop some humor skills to help me as a parent, teacher, and fiction writer.  Along the way I will explore larger questions about humor. 

At the beginning of this project, I thought it might be helpful to take stock of my current joke repertoire.  Baseline humor assessment:

Q:  What is the difference between roast beef and pea soup?

Punchline:  Anyone can roast a beef.

I have two jokes.  I can't remember the other one.

Both of my jokes (one now lost) came from Garrison Keillor.  I taped an episode of his radio show Prairie Home Companion, a special joke show, in approximately the year 2000.  I listened to it repeatedly.  

What are your stock jokes?  Where did they come from?  How long have you had them?

Let her Live her Life

Pamela Druckerman first introduced me to the idea of sleep-away camp for nursery school children in her book about raising kids in Paris, Bringing up Bebe. French parents routinely send their little ones off for a week in nature with their nursery school teachers. This concept was new and shocking to me, as it was to Druckerman. She didn't dare send her little one. I just put mine on the bus. And I feel good about it.  I am confidant that she will be fine. More than fine.
 

***

Iza left on the bus for camp this morning. Today it is Saturday. She will return on Thursday. She has never slept a single night away from home without me. When my husband is out of town (he spends every other month in America) she and her brother bedshare with me. What I told her:

I love you.

Have fun. 

It will be six days, five nights.

What she asked in the past several weeks:

How will she get her meals?

Who will she sleep with?

I told her that I would call her at least once per day. (This is a rule set by the teachers). She pointed out, “But, mama, I don’t have a phone.” I explained that I would call her teacher and the teacher would let her use her phone.

We were instructed to write five postcards. They will have a mail delivery each day and read the cards to the kids. I labored over the postcards.  It was an intensely emotional writing task. I drew several little lopsided hearts, a few ice-cream cones, even a little crooked rainbow. 

I also prepared a collage of family photographs for her to keep under her pillow.  I printed off several photos and laminated them.  The teachers had asked us to provide one family photo.  The truth is that we don't seem to have a photo with all of us.  So I made a collage.  Lamination was the natural finishing touch.  It will withstand rips and pillow drool.

We were also instructed to make a plastic bag for each day with an outfit inside. I found purple bags. I cut out little paper hearts and labeled each bag with her name and a number for each day.

When she saw the size of her suitcase, she said, “How will I carry that?” I assured her that the teachers would take care of it. (I didn’t have a smaller-sized bag to use.)
 

***

What I said to her as we stood in an excited crowd of parents and children on a busy Budapest street:

I love you.

Have fun.

If they have ice-cream everyday, that is okay. Enjoy it! (Normally we limit treats to Saturdays.)

If you need anything, ask your teacher.
 
What I didn’t say:

Brush your teeth.

Use sunscreen!

Wear clean underwear.

Don’t be afraid to flush the toilet in public restrooms. 

Listen to your teachers.

Behave. Be nice. 

Brush your unruly wild abundance of a tangled horse mane in the morning, for the love of god.  Wear a barrette to hold back your bangs so that they can grow out gracefully.  

***

Leo, who has never been separated from her for a single night in his life after he come home from the hospital, buried his head in her shoulder.

Iza said, “I love you.”

Leo said, “I love you.”

Iza said, “I need to go now.” Her voice was suddenly maternal, gentle but firm. The decision to take the trip had already empowered her before she said a final goodbye.

She boarded the enormous white bus. We waved furiously at the big windows where their heads barely cleared the lower sill. We didn’t see her, but we waved and blew kisses. Then it was time to let Leo cry on my shoulder before the walk home to a quiet house.

Get on Board

I have decided to skateboard.  I turn forty this year and it is time to make some firm decisions.  Implicit in choice is my decision to eschew stilts.  For several years I ruminated over learning to walk on stilts.  It seemed the ideal idyll.  It earns you a right to parade in extravagant costumes.  It elevates you.  It can’t be that hard, right?  Yet my intense lack of depth perception due to my nearsightedness held me back.  It seemed like the equivalent of a tone-deaf person who wants to learn to sing opera.  The drama of it, however, still enchants me.  You get to be a clown and delight the masses with such elegance.   It is time for me to table the stilts, however.  Maybe I will write a poem about stilting to get it out of my system.  It would have to be a long, tall poem with colorful scarves and butterfly wings.  There would be a gypsy band with a drummer to escort me and a rainbow.  They might be a fall from grace.  (Not sure about the rainbow, but there is room for revision.)  

In the meantime, I have moved to Budapest's urban landscape.  I walk everywhere.  The kids recently mastered bicycles, leaving me half a block behind if I am lucky to be that close.  While I am confident that they will wait at the corner for me to cross the street, there will come a day when they decide that Mom is too slow and they are capable of crossing on their own.   They are four and six.   I trust them to look for cars.  I do not trust the cars to look for them.  There is no doubt that I need to increase my sidewalk speed. 

My husband owns a foldable bike that is cute and adequate for the job.  It is also quite heavy and cumbersome.  The constant lugging it up and down three flights of stairs is tiresome.  There is always the fear of a bike thief.  We once caught a thief cycling away with the bike.  My husband was valiant. I screamed maniacally in poor Hungarian.  We got the bike back.  We do not speak of the incident in front of the children and we have since purchased a heavy-duty lock (which is also heavy to lug around).  Yet I still worry as I go about my day that I will emerge from a delightful cake shop (it is Hungarian thing) and not find my bike.

Here in Budapest it is not uncommon to see adults using scooters—a baseboard with wheels and an attached handlebar.   They are foldable and lighter than a bike.  Instead of locking it on the street, you take it with you inside whatever store or café you visit.  As you go up and down curbs you just step off the scooter and hold it by the handles.  It is by far the sensible choice.  I should get an adult scooter.  

Yet I just don’t find it cool.  I can’t fully explain it.  The truth is that it does not have sex appeal.  It is too practical.  It is boring and easy.  What I need in my fortieth year is a little spice, some danger, and an excuse to ride without brakes.  The skateboard is the answer.  Now, how does a lady of my vintage acquire street cred?  I have do idea where to buy a board or what kind I need.  There must be all kinds of considerations—wheel size, board size, and materials.  I need to hire a young person who is in the know. 

There must be a guidebook: Skateboarding for Old Ladies.  

If not, I may be able to write one by the end of the year. 

Kids are Not Dumb: What a Boy Learns from Fashion

Mama, why don’t you ever buy me beautiful clothes like Iza?  

 (He means the silk floral dress she wore for her end-of-school celebration.  He wore black formal pants, a white dress shirt, and a black vest with his sneakers.  He was adorable, with a hint of hipster.)

I try to buy you colorful clothes, but they are difficult to find.

Why don’t they make beautiful clothes for boys?  

They do.  They are just a different style.

They don’t make beautiful clothes for boys because they think all boys are bad.