Tuesday, January 27, 2026
Witness
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Sunday, November 01, 2020
A Necessary Fiction
Notes on reading eros: the bittersweet by anne carson
He seems to me equal to gods that man
who opposite you
sits and listens close
to your sweet speaking
and lovely laughing--oh it
puts the heart in my chest on wings
for when I look at you, a moment, then no speaking
is left in me
no: tongue breaks, and thin
fire is racing under skin
and in eyes no sight and drumming
fills ears
and cold sweat holds me and shaking
grips me all, greener than grass
I am and dead--or almost
I seem to me.
Sappho, fragment 31
"It is a poem about the lover's mind in the act of constructing desire for itself."
"There are three points of transformation on a circuit of possible relationship, electrified by desire so that they touch not touching. Conjoined they are held apart. The third component plays a paradoxical role for it both connects and separates, marking that two are not one, irradiating the absence whose presence is demanded by eros. When the circuit-points connect, perception leaps. And something becomes visible. . . . The difference between what is and what could be is visible."
***
"A space must be maintained or desire ends."
As a sweet apple turns red on a high branch,
high on the highest branch and the applepickers
forgot--
well, no they didn't forget--were not able to reach
. . .
Sappho, fragment 105a
"The poem is incomplete, perfectly."
". . . this poem acts out the experience of eros. . . . Sappho begins with a sweet apple and ends in infinite hunger. From her inchoate little poem we learn several thins about eros. The reach of desire is defined in action: beautiful (in its object), foiled (in its attempt), endless (in time)."
***
"Eros is an issue of boundaries. He exists because certain boundaries do. In the interval between reach and grasp, between glance and counterglance, between 'I love you' and 'I love you too,' the absent presence of desire comes alive. But the boundaries of time and glance and I love you are only aftershocks of the main, inevitable boundary that creates Eros: the boundary of flesh and self between you and me. And it is only, suddenly, at the moment when I would dissolve that boundary, I realize I never can."
***
"Words do have edges. So do you."
"There is something uniquely convincing about the perceptions that occur to you when you are in love. The seem truer than other perceptions, and more truly your own, won from reality at personal cost. . . . All at once a self never known before, which now strikes you as the true one, is coming into focus. A gust of godlikeness may pass through you and for an instant a great many things look knowable, possible and present. Then the edge asserts itself. You are not a god. You are not that enlarged self. Indeed, you are not even a whole self, as you know see.Your new knowledge of possibilities is also a knowledge of what is lacking in the actual."
"Desire changes the lover. . . . The change gives him a glimpse of a self he never knew before."
***
"In writing, beauty prefers an edge."
***
"Let us superimpose on the question 'What does the lover want from love' the questions 'What does the reader want from reading? What is the writer's desire?' Novels are the answer."
***
"To create pleasure and pain at once is the novelist's aim."
"Novels institutionalize the ruse of eros. It becomes a narrative texture of sustained incongruence, emotional and cognitive. It permits the reader to stand in triangular relation to the characters in the story and reach into the text after the objects of their desire, sharing their longing but also detached from it, seeing their view of reality but also its mistakenness. It is almost like being in love."
***
"All lovers believe they are inventing love."
"The novelists who constructs this moment of emotional and cognitive interception is making love, and you are the object of his wooing."
***
"Written letters have the presence and authority of a third person, who is witness, judge and conduit of erotic charges. Letters are the mechanism of erotic paradox, at once connective and separative, painful and sweet. Letters construct the space of desire and kindle in those contradictory emotions that keep the lover alert to his own impasse. Letters arrest and complicate an existing two-term situation by conjuring a third person who is not literally there, making suddenly visible the difference between what is. . . . and what could be. . . . From within letters, Eros acts."
***
"As you perceive the edge of yourself at the moment of desire, as you perceive the edges of words from moment to moment in reading (or writing), you are stirred to reach beyond perceptible edges--toward something else, something not yet grasped. The unplucked apple, the beloved just out of touch, the meaning not quite attained, are desirable objects of knowledge. It is the enterprise of eros to keep them so."
***
"Sokrates' central argument, as he goes on to reevaluate madness, is that you keep your mind to yourself at the cost of closing out the gods. Truly good and indeed divine things are alive and active outside you and should be let in to work their changes. Such incursions formally instruct and enrich our lives in society; no prophet or healer or poet could practice his art if he did not lose his mind, Sokrates says (244a-45). Madness is the instrument of such intelligence. More to the point, erotic mania is a valuable thing in private life. It puts wings on your soul."
"When you fall in love you feel all sorts of sensations inside you, painful and pleasant at once: it is your wings sprouting (251-52). It is the beginning of what you are meant to be."
***
"In any act of thinking, the mind must reach across this space between known and unknown, linking one to the other but also keeping visible their difference. It is an erotic space. . . . When the mind reaches out to know, the space of desire opens and a necessary fiction transpires."
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Friday, February 02, 2018
Men say Thank You
This short video was made in solidarity with Agnes Gereb, the imprisoned Hungarian midwife. She advocated for the presence of fathers at births in hospitals.
Kisfilm az apák méltóságáról, a férfiak szüléshez való viszonyáról. Hálamondás az apás szülés lehetőségéért.
#FreeGerebAgnes #budapest #riseinsolidarity#OBR #midwife #fathers
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Wednesday, January 17, 2018
Agnes Gereb
Today I am using my voice in solidarity with a Hungarian woman, Agnes Gereb, who was sentenced to two years in jail for charges relating to her practice as a midwife. Hungary, led by the nationalist, Viktor Orban, has passed public policy that encourages birth. For a country that knows its population (and power) are decreasing, there are seemingly only two responses: women have to give birth and refugees have to be turned away. In this country that seeks to create a culture that values family, at least procreation, it seems the ultimate irony that they simultaneously persecute a midwife.
Yet it is far from ironic. It is cynical. It rings true for the famously pessimistic, long-suffering Hungarians. It is worse than cynical, however. It is tyrannical. It is the establishment (patriarchy, government, medicine) exercising power. It is rape. We should not limit rape to the invasion of a body. It does not do justice to the systematic abuse of power that seeks its own existence rather than serving the people. It is illiberal. Which is exactly what Orban has articulated. He seeks to create an illiberal democracy that controls its population rather than defends its citizens.
Times up, Orban. My Hungarian friends in Budapest, where I lived with my two children for five years, see themselves as citizens first. They are outraged at Agnes’ incarceration. Their message is clear: We see Orban’s duplicity. We stand with Agnes Gereb and demand justice for her, for all of us. Hungarians need to act with their hearts, speaking the language of love, to defeat the cynicism that defines and limits them.
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Tuesday, January 16, 2018
Bitching
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Friday, October 06, 2017
Kids are More Powerful than Guns
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Tuesday, September 12, 2017
Two Public Elementary Schools
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Thursday, February 16, 2017
OBR Budapest Saturday night!
Mit csinálsz szombat este?
Gyere, találkozz velünk a Barrio Del Tango bárban Pesten!
Akik még nem ismerik a Break the Chain táncot, Szántó Nikolett autóversenyző vezetésével részt vehetnek az estet megelőző táncpróbán 7-től.
Az este 8-kor ismerkedéssel és tombolajegy árusítással kezdődik. Bombera Kriszta segítségével bemutatjuk vendégeinket, a három női és nőket segítő civil szervezetet. A Break the Chain táncot Arany Timi énekkíséretében táncolhatjuk el, az est elején, majd újra a végén.
Az „Open Mic” -szabad mikrofon részben slamköltők és feministák szólnak hozzánk. Házigazdáink, a Barrio del Tango művészei, Tímea és Simon tangóbemutatót tartanak nekünk, majd a Tilos Rádió (női) DJ-je, Sanyi Tilos zenéjére táncolhatunk a lenti parketten. Ő felelt a történelmi pesti Women’s March zenei hátteréért is. A fenti studióban az iskolateremtő Brezina Kinga tart NIA táncórát. Ha még sosem próbáltad, most biztos beleszeretsz ebbe a mozgásformába!
Mire a hangulat a tetőfokára hág, Zsuzsó Shererah Sárközy hastáncosnő előadását is megnézhetjük. Az értékes művészeti tombolanyereményeket az est végén sorsoljuk ki. Ha eljössz, úgy tudod támogatni a nők kizsákmányolása és a nők elleni erőszak elleni küzdelmet, hogy közben energiával és jókedvvel telítődsz.
https://www.facebook.com/events/465202520270111/
Támogathatsz és táncolhatsz az Est a Kizsákmányolás Ellen rendezvényen február 18-án, vagy támogatásodat elutalhatod az alábbi bankszámlákra is:
#riseinsolidarity #1billionrising #womensmarch
What are you doing Saturday night?
We hope to see you at the Barrio Del Tango.
For those who want to learn or practice first-time the the Break the Chain dance, rehearsal starts at 7 pm with Nikolett Szántó, the motorcar drift champion.
The evening’s program will start at 8 pm with mingling and raffle tickets. We will introduce our three women’s right NGOs with the help of Kriszta Bombera. The community dance performance of Break the Chain comes right after this to the live performance by singer Timi Arany.
There will be an Open Mic and slam poets and feminists will perform. Our hosts for the evening at Barrio del tango, Tímea and Simon, will present a tango performance. The guest (woman) DJ, Sanyi Tilos, will run our dance floor. (She was responsible for the music of the historic Women’s March in Budapest earlier this year.) Upstairs will be a NIA dance session. (If you haven’t tried it, our awesome instructor, Kinga Brezina will make you fall in love with it.)
Later in the night the belly dancers , Zsuzsó Shererah Sárközy’s group and guest, will perform for us! She might even teach us a few moves! The winners of the prestigous art object raffle will be announced right before the event closes with another Break the Chain dance.
If you can't join us Saturday night, you can donate directly: Write "One Billion Rising" on bank transfer.
#riseinsolidarity #1billionrising #womensmarch
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Tuesday, February 14, 2017
One Billion Rising Budapest 2017
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Monday, February 13, 2017
Meet our Beneficiaries
https://www.facebook.com/
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Friday, February 10, 2017
One Billion Rising Budapest Fundraiser
• JOL-LET Alapíitvany: Magnet Bank HU48 1620 0151 1852 8549 0000 0000
• Magyar Női Érdekérvényesítő Szövetség (Női Érdek): Unicredit Bank, Hungary HU32 1091 8001 0000 0019 8472 0012
Janet Kelley, One Billion Rising Organizer and Hungarian Women’s Lobby Volunteer
February 18th, 2017. 8 pm – 12 am
Barrio Del Tango
1053 Budapest, Irányi utca 18-20
No formal dress required! Come dressed to dance!
Entrance to the party is free. Cash bar.
Welcome! I am an American writer and high school teacher. Please comment and share, as you wish.
Monday, June 13, 2016
America's Moral #Pulse
#SpencerTunick photo
#Orlando
America's Moral #Pulse
#LoveIsLove
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Wednesday, March 16, 2016
perspective
My kid proved today that there is more than one way to shimmy down a fire pole.
#videobyhissister
#letthemfail(fall)
#blesshissoul
#passthewine
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Tuesday, February 16, 2016
One Billion Rising Budapest 2016: Theater and Dance (video)
The play focusses on the idea that sexual violence is often committed by acquaintances who use other methods than physical coercion.
View the dance below:
#rise4revolution
#vday
#kerszteat
#Budapest
#breakthechain
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Friday, February 12, 2016
RISE DANCE DISRUPT! BY EVE ENSLER
1 FEBRUARY 2016 > V-DAY

RISE DANCE DISRUPT!
I think we must live now on the edge of incomprehensible madness, refusing to give up
So we must learn the art and practice of disruption. We must release the tentacles
– Eve Ensler
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Thursday, January 28, 2016
a big dose of America
Read more about it: http://www.newyorker.com/culture/cultural-comment/anthem-of-freedom-how-whitney-houston-remade-the-star-spangled-banner?mbid=social_facebook
#whitneyhouston
#starspangledbanner
#holy shit
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Fries as Destination
Dear Seth,
Meet me in Brussels? Happy to revisit the important work of updating this article with you.
j
#bucketlist
#friesasdestination
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Sunday, January 24, 2016
Gender Tales: Pink Tax in Budapest
Hold on, I will get to the Pink Tax.
When my daughter started first grade in Budapest in 2014 there was a steep learning curve for both of us. My expectations about the first-day experience were not met and I was I was deeply shocked by what I considered to be profoundly misguided traditions inconsiderate of children's needs when entering the care of a new school and a new teacher.
Over time I developed a love-hate relationship with the system. No school is perfect. But those striving toward perfection earn my respect. I worry about a system that doesn't seem self-aware, self-critical, or open to the changing needs of its population. However, it should be noted there is a growing teacher rebellion against the nationwide reforms imposed three years ago. The movement is worth your attention and support. Teachers are revolting and parents are revolting by turning away from the public system to open independent new schools.
Back to my local school and my kids. I think it is fair to say that a public school is a perfect microcosm of its culture. (And this will lead me to the Pink Tax, pinkie-swear.)
My current analysis of Hungary is that at the center of its cultural identity is this word: Tradition. My theory about America is that its central word is: Independence. These words function in ways that are fascinating to explore and tease out from the news and the arts. These identity tags function.
At the center of the Hungarian school is the notion of tradition with a capital T.
One example of this is the required sports class and its requisite uniform. I was instructed at the parent's meeting to purchase for my daughter a "torna ruha," white socks, and gym shoes with white soles. I get the gym shoes requirement, as it keeps the floors clean.
My first task was to understand "torna ruha." It translates to "gym clothes." However, in the Hungarian tradition (Tradition), this means the girls wear a leotard and the boys wear gym shorts and a white t-shirt. In a classroom of thirty kids they all strip down to their Star Wars skivvies and put on the gym uniform. Right away this signals the gym class is not a play class but a workout. Physical fitness is another lesson, as rigorous as math or reading. I have theories about this too. Seriously, how effective can that be? I know my husband learned to skip gym classes as soon as possible when growing up in a Hungarian school system. But let me stay focussed on the Pink Tax. We are getting there.
After much discussion about the gender imbalance related to requiring girls to wear body-revealing leotards while boys wear comfortable sports clothes, I dutifully went to the sports store. I had resigned to buy my daughter the leotard as well as the shorts and t-shirt. I would pack both and let her decide what worked best for her.
I found the display for the gym clothes. And there it was: The Pink Tax. The leotard cost 2,999 forint (about 10 dollars), which is not cheap. The shorts and the t-shirt combined cost 2,789. A lesson in the marketplace before the first day of school: It is expensive to be a girl and have the "right" outfit! Granted, the price was only slightly more for the girl outfit. But there it is. Not only does the Tradition expect her to wear a body-revealing costume, it expects her to pay more for it (for less material).
It still makes my blood boil, roiling with pink bubbles of indignation.
#worldwidepinktax
#ugh
#gendertales
#budapest
FYI: More on the pink tax: http://time.com/4159973/women-pay-more-everything/
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Thursday, October 15, 2015
Budapest Games
Roma families are taken from their beds and detained in a camp outside of the city where visitors to the 1936 Berlin Olympics will never see them. Later they would be taken to death camps. Hitler had ordered Berlin transformed and perfected for the world to see his ideas made real on its streets. Anti-Semitic signs were removed (stored, and then replaced after the games). The Der Stürmer, a newspaper whose slogan was “The Jews Are Our Misfortune” was removed from newsstands.
Budapest: July, 2015
Budapest and the Hungarian Olympic Committee officially announce their intention to bid for the 2024 Olympic Summer Games.
Budapest: Nov. 7th, 2015
Excerpt from Viktor Orban’s Speech to his Diplomats: Hungary’s historical given is that we live together with a few hundred thousands Roma. This was decided by someone, somewhere. This is what we inherited. This is our situation, this is our predetermined condition…. We are the ones who have to live with this, but we don’t demand from anyone, especially not in the direction of the west, that they should live together with a large Roma minority.
Orban’s speech: English translation taken from the HungarianSpectrum, a blog written by Eva S. Balogh
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Friday, August 07, 2015
Shit English Teachers Think About During the Summer
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