Strange that I ruminated about "home" and postmodernism the day before yesterday because yesterday was spent in the Ludwig Muzeum and at the Trafo where identity and belonging got the once over by some of the youngest, brightest new artists. Duchamp, oh Duchamp. Would you be proud of your progeny?
K. and I made our way to the Ludwig Muzeum to see the current exhibition called Hataratlepesek or "Crossing Frontiers." As I have written before, I am unconvinced, worse, unmoved by video installations. The most effective artist was Oleg Kulik, who will haunt my dreams. He uses photos and video "to show a symbiosis between man and dog." They eat watermelon together. They play in the fields. They read books. They make love. Yes, oh yes. In full photographic realism. Seriously, I can't get it out of my head. And I am not talking about a cute little puppy.
A cake to steal my nerves at 5:30 and then we were off to the Trafo for a modern dance event. They were showcasing four new choreographers. We stayed for the first two and then went in search of becsiszelet (wiener schnitzel). I would have stayed, but our two guests had had enough. Ouch. If you are in town, catch an event at the Trafo--one of my enduring favorite scenes for modern dance and people watching.
Then it was off on a hunt for a cake shop that was still open past 11:00. We stepped in two or three but nothing felt right. We we headed back to Szent Jupat for turogomboc--huge bready balls of sweet puffy cream-of-wheat, covered in sweetened bread crumbs, drenched in a sour cream sauce, and sprinkled with powdered sugar. Seriously. Usually this dessert is a huge flop. But at Szent Jupat, it is a divine thing. Trust me.