NYT Ten Best Books of 2006

Check out the 10 best books of 2006 according to the New York Times:

http://www.nytimes.com/ref/books/review/20061210tenbestbooks.html?ref=books

Argh

I am going through the I-have-too-much-to-write-about-and-
so-I-will-just-be-lame-and-engage-in-avoidance-behaviors-such-
as-contemplating-baking-instead-of-writing script.

Can you say, "Precipice"?

Although I had a serious case of carrot-cake-baking between the ages of 14 and 15, in general I cook because people need to eat these days. Cooking for the pleasure of it? I have realized that the cheery kitchen fairies who left nary a shoe print one night as they scraped my crusty pans are not REAL, after all. Damn. That means if I dirty it, it stays dirty and slowly--with appropriate sun and moisture--moves into the science experiment phase. I have taken the only measure possible and ceased and desisted from anything resembling a culinary act. Thus, if baking a cake seems more appealing than writing OR reading, then I am teetering on the edge.

This entry is me forcing myself to write. something. anything. Other than what I write for my students. Cryptic notes about MLA requirements do not count as poetry.

I have been reading lately. Even reading in the service of my writing. L. recommended a new title that sounded similar to my work. I just finished it and am working through a love/hate reaction. The Uses of Enchantment by Heidi Julavits twists and turns around the life of a young narrator whose coming of age entailed an elaborate act of narrative fiction. Mary disappears from field hockey practice and then reappears weeks later. The story revolves around the truth about the events during her absence. Was she abducted? She did purposely hide herself away? Was she raped? She was a virgin, but returned not a virgin. I enjoyed Julavits uses of language and her inventive plot. In the end, however, I just didn't buy into the narrator.

The narrator of my own novel-in-languish is also a young woman still in high school. Julavits' s character narrates the experience from about ten years later, which allows her a level of retrospection that my character doesn't have. Julavits writes in the third person. My choice to tell my character's story in the first person is feeling more and more like a cage instead of a podium. Hhmmmm...to rewrite entirely from the third person? Argh.

In other reading, I also recently finished Eve Ensler's new book, Insecure at Last: Losing it in our Security Obsessed World. Her blunt declarative sentences are brutally honest about her life, her political views, and her various states of insecurity. By the end of the short work, you want to join her movement and give up security in order to allow peace to take hold. If security (think personal integrity AND national security) becomes our first priority, then our stance toward the world is by default a posture of defense. This is the antithesis of peace, which is fundamentally empathic. You can't build walls and dish up bowls of soup at the same time. If you are curious about Ensler's work, read or see The Vagina Monologues. Then read her latest book. It will make you want to be honest with yourself; it may even help you say "Vagina" in unexpected places. Like to your priest. Trust me, he needs to hear it, especially if he is under 40.

(Speaking of Eve Ensler, Me, and Priests. . . remind me to write about that trinity sometime. I've got loads of material.)

Eve. . . and. . . C.S. Lewis. Currently I am reading, really re-reading, Lewis's Till We Have Faces, which retells the Cupid and Psyche myth. I was entranced by this book's exploration of the sacred v. profane theme the first time I read it (maybe ten years ago?). Sacred v. Profane: a false dichotomy! Repeat after me: false dichotomy. That is right. A binary opposite that serves only as a rhetorical flourish! (Hear me rant.) I look forward to our Book Club discussion in December where I promise to try and not interupt others.

And, finally, a note for the anonymous reader who wants to know why I durst to resent a statue. . . I'll post a reply in the comments on that original post. Soon.

Poem: Raking by Tania Rochelle

Raking

Anna Bell and Lane, eighty,
make small leaf piles in the heat,
each pile a great joint effort,
like fifty years of marriage,
sharing chores a rusty dance.
In my own yard, the stacks
are big as children, who scatter them,
dodge and limbo the poke
of my rake. We're lucky,
young and straight-boned.
And I feel sorry for the couple,
bent like parentheses
around their brittle little lawn.
I like feeling sorry for them,
the tenderness of it, but only
for a moment: John glides in
like a paper airplane,
takes the children for the weekend,
and I remember,
they're the lucky ones--
shriveled Anna Bell,
loving her crooked Lane.

Provided by American Life in Poetry
Reprinted from "Karaoke Funeral," Snake Nation Press, 2003,
by permission of the author.
Copyright (c) 2003 by Tania
Rochelle.

Protest O.J. Simpson

Last week the YWCA of St. Joseph County made a
public statement (read the statement in the South Bend
Tribune) reacting to the announcement that O.J. Simpson
will appear in a two-part special on the Fox television
network, as well as a soon-to-be-released book detailing
how he "would have" carried out the murders
of Nicole Brown Simpson and Ron Goldman.

The YWCA has received an overwhelming response from
people wanting to join the protest, and they encourage
people to contact the following numbers to request
that booksellers not participate in the book sales, and
that FOX TV not air the special: 

Barnes and Noble - Customer Service Center at
1-800-THE-BOOK (1-800-843-2665).

Amazon - you can send an email via their website
(no really good way to directly connect with them)

HarperCollins (the publisher) - 212-207-7000

ReganBooks - 212-207-7000 (a division of HarperCollins)

FOX - contact the local FOX station 574-679-9758 and/or
fox28news@fox28.com AND the national office
-http://www.fox.com/links/affiliates.htm AND (310)369-3553

You may also contact big box retailers like Target
(again both local and national office) to ensure they do not
carry the book in stores or online (their online book service
is provided by amazon).

Spread the Word!

UPDATE!!!!!

O.J. Simpson book and tv show cancelled!
Read the headline.

Party Ponderings

Throwing a party is good for the general order. When you live day-to-day you can ignore the year's worth of flotsam accumulated beneath the couch cushions.

In fact you go about your evenings perched on the sofa, mug and novel in hand, blissfully unaware of the ecosystem evolving beneath the leather. Suddenly, on an otherwise typical Tuesday night except that it is a Tuesday before the Party on Saturday night, your brain concocts a certain (as yet unnamed, as far as I know) chemical. Somewhere deep in your genetic code an embedded switch triggers a latent domestic skill once witnessed in the childhood home: Lift cushion, Insert vacuum extension device, and Suck up all that lingers there.

And so there I was in my ridiculously purple robe hoovering up paperclips, popcorn kernels, and assorted flora. All for the sake of the general order. No one would look beneath the cushions. Yet it made happy to prepare the way for my guests, especially in such a secret way.

The day before the party, I bought myself sunflowers and arranged them in a vase given to us as a wedding gift from my book club. I should buy myself flowers more often. But somehow it takes a party to think of the indulgence.

When I throw parties, my house is never more radiant. I see it through a guest's eyes and fall in love with the wood beams and chipped plaster walls that desperately need to be painted. That leaky faucet. . . quirky. The needs-to-be-replaced old school linoleum floor. . . perfect for spilled drinks. The Persian rugs emanate color in the candlelight. And that statue I have always resented (yes, resented) seems light-hearted and whimsical.

People talking with vigor (in order to be heard), fancy shoes, colleagues not talking about work, philosophers being chatted up by working stiffs, biologists and high school German teachers a-mingle, writers, graphic artists, professors and former students. . . all mixed up in a tiny house with food catered by Victorian Pantry (it was my first time to have a party catered and and oh boy was it tasty and pretty) and copious libations of all sorts (the tequila defined smooth).

Parties come in all shapes and sizes and fulfill all kinds of functions: celebrations, life-rituals, traditions passed down, etc. But I love me a good-old fashioned Bacchic occasion. No reason needed other than the compulsion to enjoy friends and make new ones. And nibble a bit on the buffet. And watch your friends' babies turn into little people.

Not to mention the decadent feeling of sleeping in the next morning knowing that your couch doesn’t have to be vacuumed until the moon is full once again.

Borat Bandwagon

Jump on the Borat Bandwagon.

York Times Review, November 3, 2006

NPR Review

The Unofficial Borat Homepage

Never Let Me Go by Ishiguro

For October's Book Club we read Kazuo Ishiguro's 2005 Never Let Me Go. You might recall the Japanese-British author from his novel-turned-film, "The Remains of the Day."

During the long flight between Zurich and Chicago a few weeks ago, I delved into the strange world of children marooned in a private school on the verge of both adolescence and the deep -down biological truth about who they are. Soon they will leave the school and begin their life of work. But their life's work has been pre-ordained and entails their entrails. (Sorry, couldn't help that last word play.)

I won't give too much away here except to say that the children are aware that one day they will become "donors" or "carers" and in the meantime they must produce artwork to please their guardians. The story revolves around three friends who grow up before your eyes slowly, painfully. They move toward their fates with the resigned spirits of those whose free will is compromised. They are calmly reserved, but nevertheless achingly human.

I was not convinced that it would be a good book for discussion. The characters were flat-ish and the science fiction dystopia outside of our usual tastes. I am not sure why I thought this seeing as how Blindness by Saramago was a hit with most of us. Ishiguro's tale is a far "easier" read by comparison.

After a lovely meal of served by our hostess, we moved into a rewarding explication of the text. It turns out that we were unabashedly eager to share our takes on the existential tale and its touchstones with our modern world. I admit: I interrupted, more than once, to make my points.

Here are a few useful sites:

http://www.npr.org/templates/story/story.php?storyId=4629918
NPR site with excerpt from Chapter One and links to audio interviews with the author

http://dir.salon.com/story/books/review/2005/05/06/ishiguro/index.html
Salon.com review

How Alfred Brendel Changed my Life

When I was younger and abroad for a year of studies in Rome, Italy, the arts--opera, dark churches with Michelangelo's statues lit up with a handful of lira coins, Italian fashion, the Renaissance streets of Florence, the endless hallways of the Louvre in Paris--overwhelmed me.

I worshiped at the feet of the David, succumbed to Verdi's Macbeth, and penned dribble in my journal surrounded by Monet's Water Lilies.

For Christmas, my traveling companion and I had purchased "limited view" tickets to see the Nutcracker in Paris. We stayed up for midnight mass at Notre Dame on Christmas Eve. It was cold, Paris quiet beneath snow, on Christmas morning. We bundled up, groggy and without a cafe in sight open, and headed into the postcard-perfect streets toward the theater.

"Limited view," we found out, translates to entirely-blocked view except for the thrilling bit of tulle gone airborne in the far, far, far left corner of the stage. (Needless to say, I have never been lured into "limited view" tickets again.)

Despite not being able to see the Nutcracker, a highly visual show, my friend and I were ecstatic with joy. We could hear every luscious note. We basked in the joy of the warm theater. (As student travelers in Europe during the winter, cold weather was a constant drag. Yet, of course, blustry winds gave the perfect incentive to stay in cafes or museums, feeding our caffeine and art addictions, respectively).

My year abroad in college was filled with art and conversation. We could pursue our passions with abandon and be rewarded with even more existential questions, a deeper thrill for life with a capital L.

Then life (with a very lower case l) intervened. Years pass. I was still in love with art, still in love with conversation. But life has a way of taking you along, taking you out of yourself. Perhaps this is called adulthood. The escape from constant (sometimes debilitating) self-awareness and longing for meaning with a M.

At any rate, my worship of art and artists remained, unexamined. I play chess like a fourth-grader, because that is when I learned to play. I played intensely and then moved on to other things, like four-square and dodge ball. In much the same way as I am still a fourth-grade chess player, my notion of the arts and artists got frozen in my college era.

Until. No single ah-ha moment to report here. Actually, still in college, I forced myself to read a biography of Rothko because I wanted to "get" modern (i.e. beyond the Renaissance) art. I fell in love with his work, much as I fell in love with just about everything I studied in college. I was an easy girl back then. Give me a book, an idea and I will love it. Period.

Since college I have met modern art fans. I started to go to modern art museums. (Gasp.) I saw a lot of stuff that irked me. I am tired of art that requires me to read the paragraph of drivel (sorry!) that explains it to me, the viewer. I grew tired of video installations that demanded my attention for (long) minutes of time with zero payoff. But.

But, some stuff has blown my mind. Hermann Nitsch, recently, for example. Or made me see the world and its truths more clearly, even when they are uncomfortable truths.

Somewhere along the way, I died my hair deep blue. (It only lasted a few months, but still.)

Then I read the biography of Marcel Duchamp. If you don't know his work, you can not understand modern art--both the Good and shockingly mediocre varieties.

I met some living, working artists. Saw their stuff. Visited studios. I debated with them about "art" and the role of the artists. We drank beer and doodled on napkins.

And finally I got a really whacked idea: write my own novel. And perhaps it is this last endeavor that really changed my relationship with art.

And I suppose I did have one ah-ah moment. It was last weekend in Vienna, over soft-boiled eggs, ruminating on the symphony's performance we had seen the day before. As I worked my way through a monologue about the experience of watching Alfred Brendel work the piano keys for Mozart (no problems with limited view tickets this time!), I put it all together for my patient brunch buddy between bites of yolk smeared on bread, for the first time:

When I was younger and being overwhelmed by art, I thought that superhuman geniuses had created art. (Of course, in some cases, this may be true. I believe in genius.) But now I see that art--painting, sculpture, collage, writing, poetry--is made by humans. Humans in touch with being alive in a fundamental, radical way. And so, I write. I write (create art) and teach because I am compelled by human nature to make art. To consume art. Or at least, the very least, die trying.

(Whew. That was long. I feel better now.)

What is Beauty?

You may have seen the ads for Dove's campaignforrealbeauty with real women showing off their non-model bodies--illicit curves, bold wrinkles, and plains as God so created them.

What is real beauty? And who gets to decide?

Damn. What a good ad campaign. I wonder if it will actually sell more Dove products? Who cares?

This video is short (less than a minute) but strikes a nerve.

Here is the video link:

http://www.campaignforrealbeauty.com/home_films_evolution_v2.swf

Wien

A weekend in Vienna:

espresso with orange liquor and cream,
boiled rump with apple horseradish, knee-high boots,
brunch everyday,streets crowded with shoppers,
Klimt, apple strudel, the symphony at 11 am, schnitzel,
Freud's House, organ concerts,
blood sausage strudel,
Beneton, Mozart, Genomics,
Mozart torte, dobos torte, The Couch, melange,
important scarves, Secession, Mango,
too much wine at dinner,
whipped cream,
Oberlaa, MQ, Demel, einhahn street,
Budapest but more, wiener,
soft-boiled eggs in egg cups and tiny spoons,
Bauhaus, bicycles, Hermann Nitsch,
bread and butter.