Thursday, September 10, 2015

A Lesson in Courage at Keleti Station, Budapest


School starts in Budapest on September 1st. One of the most important lessons my kids will learn this year, however, happened the night before. My husband and I took my kids, ages 6 and 7, two metro stops down to see the refugees gathered at the Keleti Train Station. A few weeks ago we had given oranges to the Syrians we found gathered there as we boarded our train to visit Transylvania. We returned to the station this past Monday afternoon empty-handed. We had come to see with our own eyes and simply spend time walking among the refugees.

Did I second-guess our decision to take the kids to see the squalid conditions at the majestic 19th century station? Did I wonder about our safety in a frantic crowd of refugees traveling with only what they carry and desperate to find a safe haven in Europe? Frankly, no. When we passed through a few weeks prior, the refugees were a peaceful crowd. It was a sad campground set up in the modern corridor of the newly renovated metro station hallways.

We were in a hurry then as we had flown in from the States the day before and wanted to make the overnight train to visit grandma in Transylvania. I bought two shopping bags of oranges along with our snacks for the train and insisted we leave in time to drop the oranges at the Migration Aid station. Jet-lagged and cranky we lugged our bags through the metro and toward Keleti station. When we arrived, however, we didn’t see the volunteers (now they are fully organized) and instead I simply handed an orange to a family with small children. They smiled. I smiled. My kids, who had been reluctant about the idea, saw the exchange and reached for their own oranges to share.

It was my husband’s idea to leave the sanctuary of our neighborhood and return to the station the night before school started. I was more concerned with dinner time and a peaceful evening. Yet I agreed to go along. It seemed impossible to go about my calm, ordered, privileged routine while hearing the stories of their suffering at the station.

My kids didn’t have much to say while we walked through the crowds, stepping over discarded blankets and filthy toys. Weaving a path around piles of belongings, we made our way to the central crowd. Volunteers passed out food. Another group had brought blankets and art supplies and sat, their laps filled with warm, eager little people happy to play and color even though they didn’t share a common language. A musician had set up and soon a crowd gathered to sing, dance, and move their bodies in the release of dance.

We explained to the kids that these people were trapped at the station because the trains were not running to Germany. We said that they had left their homes and all their belongings behind because of war and poverty. They wanted to find a safe home and a chance at a better life. We didn’t say all of this at the station, however. This explanation had come out in pieces over the weeks as the refugee crisis grew. At the station we were mostly observant. It was a kind of reverence. We were in awe of these people who had risked their lives to escape war. Their futures were uncertain, and would be decided on the whim of which train might leave or which rumor they take as truth guiding them along their route.

These people, no matter your opinion about the correct political response to this worldwide migration event, define courage. This is what I wanted my children to see. Courage is not the larger-than-life, testosterone-charged American football hero. This is courage: the refugee family, clutching only what they can carry, in a foreign land. Courage is their powerful vulnerability, and their irresistible urge to seek a better life. This is deep down courage. This is what it means to be human. And our response to their plight also defines us.

I have no idea what my children understood or felt as they walked among the refugees. Some of our deepest emotions are ineffable. But when we returned from the Keleti station, my six-year-old son, entering the first grade the next day, set about constructing a project with paper, scissors, tape, and colored pencils. When he showed me the result, I was impressed. He had drawn, cut out, and taped together six sheets of paper to make a train. It was a long, beautiful train. He told me that he thought we should take it down to Keleti and give it to the kids there. He wanted to give the kids a train. Something deep down in him recognized the courage and dignity of those bedraggled kids. He wanted to give them what they deserve, a chance to grow up in a safe place.

In the following days, my son often suggested that we give some money or oranges to the destitute we see on the streets. Living in a modern urban city means my kids see the majestic beauty of Budapest's architecture and it's carefully cultivate parks as well as homeless people everyday. They recognize the local drunk who weaves down the sidewalk, wet with piss and talking rapidly to the sky.  We do often, but not always, give our spare change to those who ask. I have stopped and helped those in need of medical care. But I am left to wallow in the murky moral waters of modern urban life. We witnessed the courage and dignity of the refugees at Keleti station. How should I respond daily to the local people in need? And how do I explain to my kids the difference between the refugees and the destitute we see everyday? Is there a difference?

Sunday, September 06, 2015

Back to School Lessons at Keleti Station, Budapest




School starts in Budapest on September 1st. One of the most important lessons my kids will learn this year, however, happened the night before. My husband and I took my kids, ages 6 and 7, two metro stops down to see the refugees gathered at the Keleti Train Station. A few weeks ago we had given oranges to the Syrians we found gathered there before we boarded our train to visit Transylvania. We returned to the station this past Monday afternoon empty-handed. We had come to see with our own eyes and simply spend time walking among them.

The reality is that I am a migrant too. I am an American living in Hungary. While I am here by choice and reside legally, the people we saw were trapped. They are not welcome here. That night a few trains were allowed to leave for Germany, but shortly the entire station would be closed to all migrants and international train service suspended as Hungary struggled to create a safe environment for all passengers. Days later they would start their march on foot toward Austria.

My kids didn’t have much to say while we were at the station. In the past weeks, however, we have often remembered the only family we know who had to flee empty-handed from war, but we don’t know their names either. It is the fictional family in Uri Shulevitz’s picture book “How I learned Geography,” published in 2008. I remind them that kids at the station are just like that little boy who had no toys and no food.

In Shulevitz’s tale, based on his own experience, the father spends their last coins not on bread, but on a map. The boy was furious and hungry. The next day the father hangs the colorful map, which covers a wall, and the boy learns to forget his hunger and travel freely to faraway safe lands as he stares at the map. The story ends when the boy forgives his father because he understands that it was right to choose the power of imagination over a few morsels of bread. If he had bought the bread, they would still be hungry. But now they had hope, on which they could survive.

The worst thing about the current situation in Hungary is that the government has no message of hope for the children at the station. They have not even offered bread.

The good news is that Hungarians have found the courage to respond to the refugees in an impressive act of volunteerism. Migration Aid asked for people to temporarily stop bringing donations because they ran out of storage room and capacity to organize and distribute the goods.

Was it gross of us to go to the station with our children merely to see? Was I conflicted as I reached to fix my lipstick in the metro before we arrived? Did I feel a strong sense of privilege as I left the station and took the metro home to my apartment facing a park? Yes. The only thing more uncomfortable would have been to go to school the next day, the kids gorgeous in their first-day clothes and new backpacks, having ignored the kids at the station.

My six-year-old son, entering the first grade the next day, came home from Keleti station and set about constructing a project with paper, scissors, tape, and colored pencils. When he showed me the result, I was impressed. It was a train he had drawn, cut out, and taped together using six sheets of paper. It was a long, beautiful train. He told me that he thought we should take it down to Keleti and give it to the kids there.









Friday, August 07, 2015

Shit English Teachers Think About During the Summer

Thoughts on Harper Lee


GSaW is about Scout developing her individual moral consciousness, separate from her Father. The moment happens, but we are not given evidence of how she has really changed. I think Lee used that as the central storyline, the racial tensions are context. Yet by the time she finished TKM, she seems to set aside this feminist awakening and instead focuses entirely on the race issue. In part because she goes back to tell the story from Scout’s childhood.  But I also see that she in TKM actually embodies Scout’s awakening in GSaW and writes the story that demonstrates her feminism without having to explicitly use it as a plot device.  I know this collapses Lee into Scout, which may be unfair. In her case, as these are her only two extant works, it is certainly tempting.  

In any case, she had to write GSaW first. She had to write her way through Scout's (and her own?) awakening. And thus Lee found her power and her voice, which became the younger Scout and her ability to tell Lee's story about racism and the South.  

Thursday, June 18, 2015

June Eighteenths

Brought to you by yet another external memory device, Facebook notifications. We are cyborgs.


**

June 18, 2014 
I had my first shot of espresso at the newly opened Mantra in Budapest.

June 18, 2012
It was Move-in Day at our new apartment in Budapest. It was a Tuesday. The forecast called for 90 degrees and 0% chance of rain. I wore red shoes, a yellow shirt, a white top, and a summer straw hat.

June 18, 2011
I brought my daughter to the emergency room at St. Janos Children’s hospital in Budapest. She had gashed her chin by falling off her bed onto a hard wooden floor, chin first.  She wore silver strappy shoes, a blue and yellow printed skirt, and a yellow shirt. She smiled for the camera. She had two large styes on her left eye, a bandage on her chin.

June 18, 2009
My midwife told me that I was positive for strep B and would require an IV at my second birth.  This was bad news. Then my husband walked into my consultation room with two freshly broken arms. He had been in a bicycle accident and rode himself to the doctor’s office.  This was really bad news.  Iza was seventeen months old and not yet walking. Leo was born on June 30.

Wednesday, May 27, 2015

This poem by Ted Kooser, Splitting an Order

Splitting an Order
by Ted Kooser


I like to watch an old man cutting a sandwich in half,

maybe an ordinary cold roast beef on whole wheat bread,

no pickles or onion, keeping his shaky hands steady

by placing his forearms firm on the edge of the table

and using both hands, the left to hold the sandwich in place,

and the right to cut it surely, corner to corner,

observing his progress through glasses that moments before

he wiped with his napkin, and then to see him lift half

onto the extra plate that he had asked the server to bring,

and then to wait, offering the plate to his wife

while she slowly unrolls her napkin and places her spoon,

her knife and her fork in their proper places,

then smoothes the starched white napkin over her knees

and meets his eyes and holds out both old hands to him.


http://writersalmanac.publicradio.org/index.php?date=2009/09/08

Wednesday, April 29, 2015

A Girl is a Half-Formed Thing by Eimear McBride

I recently finished this highly acclaimed novel. The first passage I underlined in the text was on page 32.  It took that long for my brain to learn the book's language.  It also took me that many pages to remember I could underline.  This is the first "real" book I've read in a long time.  I switched to reading on my iPhone when my kids were small. But after reading reviews of McBride's book, I knew I would never be able to digest it's modernist style in digital format.

Memorable quotes 
(Coffee House Press, Minneapolis, 2014)

"Going foot to foot to foot to foot. Spinning wheels round digging. Crunch as glass on the axel rod." p. 32

"Later it ran up me. Legs stomach knees chest up head. Like smoke in my lungs to be coughed out. I'd throw up excitement. What is it? Like a nosebleed. Like a freezing pain. I felt me not me. Turning to the sun. Feel the roast of it. Like sunburn. Like a hot sunstroke. Like globs dropping in. Through my hair. Spat skin with it. Blank my eyes the dazzle. Huge shatter. Me who is just new. Fallen out of the sky. What. Is lust it? That's it. The first splinter. I. Give in scared. If I would. Stop. Him. Oh God. Is a mortal mortal sin." p. 55

"I don't think I will be clean now. Think instead I'll have revenge for lots of all kinds of things. The start is. That is love." p. 61

"How would they ever understand my life is more than cider? Complex than that." p. 74

"Saying yes is the best of powers. It's no big thing the things they do." p. 77

"So so we are just the one of us now. Me." p. 90

"My heart go bang at no go back now no go back. Some new education begins." p. 91

"Will hear him tell me he's how old a lot oh God lotter than me. I am addling but good to be seen. It's very good to be seen." p. 95

"Wash my body on or off and think I'll be some new a disgrace. Slap in the alley with no doubt rats I am leaving. Epiphany. I am leaving home. I've picked up and left. Fresh. I'm already gone." p. 96

"I love the. Something of it all. Feeling ruined. Fucking. Off. I'm ready. Ready ready. To be this other one. To fill out the corners of this person who doesn't sit in photos on the mantel next to you." p. 98

"The answer to every single question is Fuck." p. 146

"Trains passing like teeth through my head." p. 151

"I walk the street. City. Running through my mouth. Running in my teeth the. Me eyes are. All the things. The said the done what there what's all this? That stuff. I could do. My. I walk the street. Who's him? That man. Who's him there having a looking at me he. Look at my. Tits. Ssss. Fuck word. No don't. Fuck that. No. Will. Not that. Not. That. But. If I want to then I can do. And it would fill me up fine. And I. I do. Do it. Take him back with me. Give him. The word. I want that. Hurt me. Until I am outside the pain." p. 163

"Me the thing but I. Think I know. Is that the reason for what's happened? Me? The thing. Wrong." p. 179

"Think. There's a there's a world's not this." p. 185


Useful links:

The White Review interview with Eimear McBride:

The New Yorker Review



Friday, April 17, 2015

Top Ten Books


I compiled this list in September, 2014 in response to a Facebook meme.  The idea was to list the first ten books and/or authors that came to mind and describe why they are important.  The books that came to mind (without the aid of my bookshelves) are those that are connected to a shared reading experience. 

I dug this out of my writing notes today because I just finished reading Discomfort Zone by Jonathan Franzen, his memoir.  It prompted me to consider what episodes and texts in my life I might include in a memoir.  



Girl of the Limberlost by Gene Stratton-Porter.  
This book was given to me by my Grandma Anna Mae Kelley as a Christmas present when I was around ten. 

John Grisham
Reading his thrillers in high school was one of the first times I got drawn into the excitement of waiting with a friend for the next book by an author. 

Stephen King
Reading anything by him when I was in high school was intense.  Again he created a little society of readers who dared to read him.  The experience of reading Gerald's Game in one night through the dawn was terrifying.  I didn't read him again until The Cell. 

The Places You Will Go by Dr. Seuss
This was a key book at my high school graduation and at my wedding. I loved rereading it recently and noticing how the difficulties of life are so vividly portrayed. 

Blindness by Jose Saramago
This is a hard book.  I like hard books.  And that scene on the balcony is worth the entire book. And I'm afraid of going blind.

The Red Tent By Anita Diamant
This book is on the list because of the foundational role it played in my book club.  The Secret Life of Bees by Sue Monk Kidd also makes the list for the same reason.

The Master Butchers Singing Club by Louise Erdrich
It is an epic tale of living in America as an immigrant.  It is a book I've found myself giving to people.

Kitchen by Banana Yoshimoto
It is a short book, yet it captured life in contemporary Japan and caught the imaginations of my classmates at Saint Mary's. 

A Portrait of the Artist as a Young Man by James Joyce
I am not even sure why/when I first read this.  Not even sure why it is on the list other than perhaps it was one of my first tastes of the modernist style.  And I once quoted it at length in a love letter.

The Vagina Monologues by Eve Ensler
This play became the heart of many relationships for me.


Friday, March 27, 2015

Magyar Irodalomóra

The following is both my first attempt to write fiction in Hungarian and my first attempt to teach in Hungarian.  My language class asked us to prepare a presentation on the topic of our choice.  Other students presented on wine-tasting, Japan, marriage, and tourism in Hungary.  I choose to create the beginning of a story and develop a lesson plan around it.

It was fascinating to write fiction in another language.  My vocabulary is very restricted which shaped the story I created.  But it also forced me to infuse every sentence with action.

I post it here mostly for my own sake as a way to preserve my little language learning efforts.

*********************************************************************************

Magyar Irodalomóra

Olvassátok el a szöveget. Amikor találsz egy új szót, írd a táblára.


***



Rejtély

A munka után a barátok bementek a kávéházba. Leültek és rendeltek. Nyugodtan beszéltek a napjukról.

Szilvia csak nézte a telefonját. Hirtelen felállt és szó nélkül kiment az utcára. A többiek halkan és gyorsan beszéltek róla.
--Kepzeljétek el, a férje komolyan beteg lett. Azt hallottam, életveselyes.
--Ne mondd már! Kitől hallottad ezt? Nem beteg! Elvesztette a munkáját két héttel ezelőtt.
--Na, ne mondd már!  Nem igaz! Azt hallottam, hogy új munkát kapott, de az új cég arra kötelezte, hogy költözzön el valahova Dél-Koreába.

Szilvia odalépett az asztalhoz. A barátai kíváncsian felnéztek. Meg akartak tudni az igazságot. Nem kérdeztek semmit mert megijedtek az arcától. Az arca holt sápadt volt. Az egyik keze remegett. Majdnem elejtette a telefonját.  Nem ült le.


Ott termett a pincér. Letett az asztalra egy drága üveg pezsgőt és négy magas poharat.


Szilva kezébe vette az üveget és kezdte kihúzni a dugót. A barátok féltek a dugótól. Ki is jött belőle halkan és finoman, mint egy kielégitett nőből a sóhaj.


A többiek csak bámultak egymásra.


Szilvia az asztal körül sétált. A pezsgőből töltögetett a barátainak, végül magának is.


A barátok nem tudtak mit mondani. Ilyenkor sütit és kávét szoktak fogyasztani. Most nem tudták, mi történik.


Szilvia felemelte a poharát. Lassan a többiek is.

--Igaz, ugye, barátaim, hogy süt a nap? Én rendeltem a különleges buborékost mert...

Nem tudta folytatni. A barátok már tűkön ültek.


--Igyátok meg --súgta Szilvia.


A barátok kiitták a poharakból a pezsgőt.


A pincér odament és letette a számlát, mert már egy ideje a terem másik végéből figyelte a jelenetet. Úgy döntött, hogy jobb ha fizetnek és távoznak.


Csengett egy telefon. Szilvia ránézett a telefonjára és kikapcsolta.

--Barátaim, nincs sok időnk. Hallgassatok meg és csináljátok, amit mondok. A kabátotokat a táskátokat, mindent hagyjatok itt. Fussatok el!

***


Kepzeljétek el a végét! Válaszoljatok a kérdésekre. Önálló munka.


Hány évesek?


Hol dolgoznak? Együtt?


Kivel beszélt Szilvia telefonon?


Miért szól sok pletyka a ferjéról?


Miért nem ivott Szilvia a pezsgőből?


Mi a te véleményed, milyen baj van?


Szilvia jó ember vagy rossz? Beteg?


Mit fognak csinálni a barátok? Mit fognak mondani? Tényleg birkák lennének?



***


Mit történik ez utàn? Rövid legyen! Nem kell a mese végét tudni.

Mondjátok el!


Monday, March 23, 2015

Humor Project: How Scientists Make People Laugh


I have neglected The Humor Project on my blog.  I have been more aware of my humor and lack-of-humor since I vowed to do something about it way back in June, 2014.

For example, my kids begged to watch Sponge Bob. I relented when they offered the following justification, "But, Mom, it's funny!"  I thought, huh.  They need to learn humor somehow. And then months later I found myself on a Saturday morning at the theater watching Sponge Bob in 3D. And it was funny!

At some point I will write more about this self-improvement endeavor.  However, the best I can do right now is offer this:

http://ideas.ted.com/how-scientists-make-people-laugh-to-study-humor/

My recent humor fail:  I frequently, but not always, remark that something my kids do is "Hillari-ASS."  This was funny, to me.  But guess who thinks everything and everyone is Hillari-ASS now? Yep, my 5-year-old son.  Moments like this make living in Hungary super hillari-ASS.  Another loud, crude American laughing at his own jokes.  (I still think it is funny.)

And for your daily does of laughter:
https://www.youtube.com/watch?v=VBXKoZQwvDE