Tuesday, November 08, 2016

A Poem on Election Day: Liquid Flesh


Liquid Flesh

Related Poem Content Details

In a light chocolatine room
with blackout windows,
a loud clock drowns in soft dawn’s
 
syllables, crisscrossed
with a broken cloudiness
I’d choose as my own bedcovers
 
but cannot. My choice of sleep
or sky has no music of its own.
There’s no “its own” while the baby cries.
 
Oh, the baby cries. He howls and claws
like a wrongly minor red wolf
who doesn’t know his mother.
 
I know I am his mother, but I can’t
quite click on the word’s essential aspects,
can’t denude the flora
 
or disrobe the kind of housecoat
“mother” always is. Something
cunty, something used.
 
Whatever meaning the word itself
is covering, like underwear,
that meaning is so mere and meager
 
this morning. Mother. Baby.
Chicken and egg. It’s so obnoxious
of me: I was an egg
 
who had  an egg
and now I’m a chicken,
as usual scooping up
 
both possibilities,
or what I used to call
possibilities. I used
 
to be this way, so ontologically
greedy, wanting to be it all.
Serves me right.
 
My belief in the fluidity
of the self turns out to mean
my me is a flow of wellwater,

                                                    
without the well, or the bucket,
a hole dug and seeping.
A kind of unwell, where
 
the ground reabsorbs
what it was displaced to give.
The drain gives meaning to the sieve.
 
As I said: a chicken who still
wants to be all potential.
Someone who springs
 
and falls, who cannot see
how many of us I have 
in me—and I do not like them all.
 
Do I like us? Can I love us?
If anyone comes
first it’s him, but how can that be?
 
I was here way, way first.
I have the breasts, godawful, and he
the lungs and we share the despair.
 
For we are a we, aren’t we? We split
a self in such a way that there isn’t
enough for either of us.
 
The father of the baby is sleepy
and present in his way, in the way
of fathers. He is devoted like
 
few fathers, and maybe hurts
like I hurt, like no fathers.
I don’t know what someone else
 
feels, not even these someones
who are also me. Do they hurt
like I do?  Why can’t they
 
tell me, or morse or sign: let
me know they know where and how
and why it hurts? Or something?
 
What is the point of other people,
being so separate, if we can’t 
help a person get that pain
 
will stick its shiv into anything,
just to get rid of the weapon
and because it can? For if we share
 
ourselves then they, too, must
also be in so much pain.
I can hear it. Oh, my loves.
 
The wood of the crib, the white
glow of the milk (which must
have siphoned off the one
 
and only pure part of me, leaving
me with what, toxicity
or sin or mush?), the awful softness.
 
I’ve been melted into something
too easy to spill. I make more
and more of myself in order
 
to make more and more of the baby.
He takes it, this making. And somehow
he’s made more of me, too.
 
I’m a mother now.
I run to the bathroom, run
to the kitchen, run to the crib
 
and I’m not even running.
These places just scare up as needed,
the wires that move my hands
 
to the sink, to the baby,
to the breast are electrical.
I’m in shock.
 
One must be in shock to say so,
as if one’s own state is assessable,
like a car accident or Minnesota taxes.
 
A total disaster, this sack of liquid
flesh which yowls and leaks
and I’m talking about me
 
not the baby. Me, this puddle
of a middle, this utilized vessel,
cracked hull, divine
 
design. It’s how it works. It’s how
we all got here. Deform
following the function . . .
 
But what about me? I whisper
secretly and to think,
around these parts used to be
 
the joyful place of sex,
what is now this intimate
terror and squalor.
 
My eyes burned out at three a.m. and again
at six and eleven. This is why the clock
is drowning, as I said earlier.
 
I’m trying to explain it.
I repeat myself, or haven’t I already?
Tiny self, along with a tiny self.
 
I’ll say it: he hurt me, this new
babe, then and now.
Perhaps he always will,
 
though thoughts of the future
seem like science fiction novels
I never finished reading.
 
Their ends like red nerves
chopped off by cleaver, not aliens,
this very moment, saving nothing for later.
 
He howls with such fury and clarity
I must believe him.
No god has the power
 
to make me believe anything,
yet I happen to know
this baby knows a way out.
 
This dark hole closing in on me
all around: he’ll show me
how to get through
 
the shock and the godlessness
and the rictus of crushed flesh,
into the rest of my life.
Source: Our Andromeda (Copper Canyon Press, 2012)

Friday, October 14, 2016

#myBudapest




#nowthatsfunny
#hipsterhumor

Tuesday, October 11, 2016

Monday, September 26, 2016

Top Ten

turkish delight

wide-brimmed straw hats in summer

jasmine pearl tea

eyewear

outdoor fruit and vegetable markets

tepertős pogácsa

freshly ground peanut butter

baking bread

being in my body

pockets

Széchenyi Fürdő

my mother's dumplings

rocking chairs

scarves

giving books I love to people I think might love them too

The Girl of the Limberlost by Gene Stratton-Porter

diners

grandma Kelley's rice casserole

home made play dough

Le Mans Hall

midwives

baking muffins

Spencer Tunick

wool socks, knee-high, with stripes in the winter

clowns

"Coin-Operated Boy" by the Dresden Dolls

bread and butter

pumpkin

cooking split-pea soup

democracy

church bells

Gellért Fürdő

African chicken and peanut soup from the New England Soup Factory

martini with blue cheese stuffed olives

1059 Riverside

singing the ABC's as a lullaby

gesztenyepüré

Greek yogurt with honey, in Greece

sneaking away from a sleeping baby

sneaking back into my bed where my four and five-year-olds are tangled up, deeply breathing

bodza

Book Club

Julie Andrews and Dick Van Dyke in Mary Poppins

Rome

sunflowers

avocados

Indigo Girls

dandelions

sleep

Warren Dunes State Park

french fries

blue

the fact that baking bread is so simple

clean pressed sheets

V-Day

walking by a lilac bush in bloom

holding hands

playgrounds

NPR

Prairie Home Companion

PBS

hard wood floors

freshly squeezed ABC juice--apple, beet, carrot

handmade afghans

coffee

Jeune Homme Nu Assis au Bord de la Mer, by Jean- Hippolyte Flandrin

marching bands

my clever, funny friend

roasted chestnuts

Rachel flodnija

birdie sing in the tree, woo woo woo, wee wee wee, I love you and you love me

Henszlmann Imre utca, 5

cuckoo clocks

soft-boiled eggs in egg cups

potluck dinners

Kelet Kávézó

7-year-old Leo with missing front teeth

tabasco sauce

massage

Amanda Palmer

the truth

Anna Moschovakis


[The challenge: to start]

Related Poem Content Details

The challenge: to start
not with theory but with tangible performance

You and others, approaching

We shall be asked for a way out

                to be fed

                to keep warm and dry

Starting with experience, magic 
genuine science

More than once we have been lost 
in a trackless wilderness

dwarfed and shadowed by mighty buildings 
subway trains wild as elephants

One goes blindly back to one’s desk

These moments come, their dark 
shadow

We glimpsed control 
and more tragic waste

We entered with 40,000,000 warriors 
with the dignity of cathedrals

The lake is upon you.
You have two canoes, your tent
The child has entered upon this desert

You have your axes

What, precisely, is your procedure?

Anna Moschovakis, “[The challenge: to start]” from You and Three Others Are Approaching a Lake. Copyright © 2011 by Anna Moschovakis. Reprinted by permission of Coffee House Press. www.coffeehouse.org
Source: You and Three Others Are Approaching a Lake (Coffee House Press, 2011)

https://www.poetryfoundation.org/poems-and-poets/poems/detail/56495


Monday, June 13, 2016

America's Moral #Pulse

More love. More vulnerability. More kissing.

#SpencerTunick photo

#Orlando

America's Moral #Pulse



#LoveIsLove

Thursday, April 07, 2016

Claire Wahmanholm



by: Claire Wahmanholm

Lullaby with Daughter Cells

Embedded,      the sleeping body is ship and shipwreck, reef, fish den,
oyster nest,                    once my own anemone, once a wish,
transmission of ten thousand trillion divisions,            so almost infinite,
so infinitely far from it.
                                          Beneath the skin,      repetition churns
its whirls of fingerprints            and strands of future selves,
constructing endless daughters, endless spindles, endless paths
into the woods.
                           Sleep passes for safety,           but is only a curse’s deferral,
never its breaking.            Your body’s already a whir, was always
an engine, gendered and generative, her from the first. All I gave
you was a pair of points. Sleep between them  for as long as you can.

Given

A point is that which has no part
      —Euclid, Elements, Book I
A given
is always
a point
of departure,
a puncture,
origin of
a wound,
some newness.
For example,
this given:
that points
are partless,
when really
they’re couple-
numbered, binary;
the way,
no matter
how fast
it flies,
a bluebird’s
blue can
never outstrip
its bird,
or butter
drain from
its cup,
rattle shed
its snake.
What would
it do,
that bird—
unblue, unselved,
blanched on
winter’s branch,
absent against
its white?
Without you,
I’m only
the idea
of flight.




Wednesday, March 16, 2016

perspective

There are two parenting styles at the playground. One views a slide as uni-directional. The other style is espoused by a parent whose kid challenges such one-way linear thinking.

My kid proved today that there is more than one way to shimmy down a fire pole.



#videobyhissister
#letthemfail(fall)
#blesshissoul

#passthewine



Tuesday, February 16, 2016

One Billion Rising Budapest 2016: Theater and Dance (video)

This year's event featured the Break the Chain dance followed by an innovative theater piece created to explore sexual consent.

The play focusses on the idea that sexual violence is often committed by acquaintances who use other methods than physical coercion.

A theatre performance, website (www.nane.hu/kerszteat), and short films send messages to perpetrators, victims and the society: 

no means no, and only yes means yes.


View the dance below:





#rise4revolution
#vday
#kerszteat
#Budapest
#breakthechain

Friday, February 12, 2016

RISE DANCE DISRUPT! BY EVE ENSLER


1 FEBRUARY 2016 > V-DAY

EE Headshot Brigitte Lacombe

RISE DANCE DISRUPT!

I think we must live now on the edge of incomprehensible madness, refusing to give up 
and refusing to pretend. Dancing on the precipice of annihilation while passionately 
encouraging and welcoming the new paradigm. This is most difficult in a world, in 
a system that has thoroughly indoctrinated us in a refusal to think, in the sound bite, 
in yes and nos, likes and unlikes, with us or against us pathology, in idiotic, 
consumable brandable, reductionist absolutes. To be an enthusiastic absurdist requires 
embracing ambiguity, insecurity, and it means looking at the predicament we are in 
head on. It means leaping and assuming you will fall, dancing in the chaotic 
impossible passionate possible.

So we must learn the art and practice of disruption. We must release the tentacles 
of our false securities and interrupt the world as we know it. We must assume that 
anywhere we live or anything we are doing can change or disintegrate on a dime and 
we must practice changing and letting it go. Living as if there is no future but the one 
we are creating. Nothing guaranteed but our willingness to live as pioneers of a new 
consciousness and way. And we must become disrupters. That is the power of creative 
resistance. Interrupting business as usual, taking stands that forfeit our acceptance or 
economic elevation, risking disapproval and controversy, participating in actions that 
loosen our grip on the suicidal givens and push the tyrants to fall. Disrupters, fighting 
and dancing with all our might for life over comfort.

– Eve Ensler


Thursday, February 04, 2016

Laugh: Cannonball Ice Dude

so much to love about this video





#cannonballicedude
#haha

Egymilliárd nő ébredése (One Billion Rising) 2016

„Egymilliárd nő bántalmazása gyalázat, egymilliárd nő tánca forradalom” (Eve Ensler)

Meghívó

Egymilliárd nő ébredése (One Billion Rising) 2016, Budapest – új forradalom a nők és lányok elleni erőszak ellen

Szeretettel meghívjuk a Magyar Női Érdekérvényesítő Szövetség, a NANE Egyesület és a Nőkért Egyesület közös rendezésében tartandó eseményre!

Időpont: 2016. február 14. vasárnap, délután 3.
Helyszín: Bálint Ház. Budapest, VI. Révay u. 16.

Idén negyedik alkalommal kerül megrendezésre az Egymilliárd nő ébredése (One Billion Rising) világméretű kampány. Az esemény a nők és lányok elleni erőszakkal szembeni fellépésért mozgósít a tánc és a művészet erejével, jótékony kollektív energiák felszabadításával. Minden évben, így idén is, eltáncoljuk a Törd szét a láncot! (Break the Chain!) dalra koreografált figyelemfelhívó táncot. A tánc után bemutatásra kerül a NANE Egyesület „Kérsz teát?!” című darabja. A rendhagyó, egyetemista fiataloknak készült színházi előadást Bánki Gergely és Sipos Vera írta és rendezte, a NANE Egyesület felkérésére és szakértői támogatásával. Az előadást a színészekkel és szakértőkkel folytatott beszélgetés követi, melyet Bombera Krisztina, a mozgalom önkéntese vezet.  

14.30  Érkezés, információs stand
15-15.10 Megnyitó
15.10-15.20 Közös tánc
15.20-15.30 Terem átrendezése
15.30-16.15. Kérsz teát?! színházi előadás
16.15-17.00 Vezetett beszélgetés. Moderál: Bombera Krisztina


A programra a belépés ingyenes. A darab alatt kisgyermekek számára az Éden Játszóház ingyen áll rendelkezésre. 130 fő feletti létszám esetén csak állóhelyet tudunk biztosítani a karzaton.

Magyarországon milliós nagyságrendű a nők elleni erőszak áldozatainak száma. Az EU Alapjogi Ügynökségének reprezentatív kutatása szerint a 15 éves koruk óta a fizikai és/vagy szexuális erőszak valamely formájának áldozatává vált nők aránya a 18–74 éves korosztályban 28%. Ez a 2011-es népszámlálás adataiból kiindulva több mint 1 millió 124 ezer magyar nőt jelent. 

Mi ezért táncolunk, ezért állunk ki magunkért és másokért.
Érezd te is a táncból eredő erőt és energiát! Csatlakozz az összes kontinenshez!

#rise4revolution
#Budapest

Tuesday, February 02, 2016

One Billion Rising Budapest 2016

One Billion Rising Hungary 2016 Campaign

Across Hungary the One Billion Rising campaign escalates its call for the end of violence against women. Fundamentally the movement is a call for change within communities--structural, systemic, long term change. It makes these demands for change by raising awareness about domestic and sexual violence and challenges us to find the right ways to respond.

The One Billion Rising movement encourages creative and artistic expressions so a wide variety of people can enter into the conversation and work toward solutions in our communities. There are rational ways to respond to violence, but often we find rational solutions after we develop our moral courage through artistic play. Thus we once again take part in the worldwide dance phenomenon, “Break the Chain.” This year Hungary is proud to participate in the global movement by presenting an original theater piece, “Kérsz teát?”  (May I Offer You a Tea?), written and performed by Bánki Gergely and Sipos Vera. “Kérsz teát?” explores the idea of consent and provides a rich theater experience for audience members. It will be followed by a discussion about how we understand consent in own relationships.

“Kersz Teat” is a powerful tool to understand a complex, sensitive issue. Audience members walk away from the event with an awareness that may radically change the way they think about and engage in violence-free relationships. The actors, who created the play in collaboration with NANE, hope to use the piece in high schools and colleges.  We especially invite high school teachers and university staff who want to get a first-hand experience of the play before introducing it to their communities.  Introducing a discussion about violence-free relationships to our next generation can dramatically impact the future of Hungary and the safety of its women.

The One Billion Rising Hungary 2016 campaign is thrilled to dance and showcase “Kérsz teát?” The movement invites artistic energy to create new ways of responding to the problem of violence against women.  We look forward to how this energy will produce new ways of responding to those most in need in our community.


What is One Billion Rising? http://www.onebillionrising.org/
Learn the "Break the Chain" dance: https://www.youtube.com/watch?v=mRU1xmBwUeA

#rise4revolution
#Budapest

Monday, February 01, 2016

Language Lessons




There's lots of literature about the loss of innocence, because we all share in that loss and literature is about what we share. Here's a poem by Alexandra Teague, a San Franciscan, in which a child's awakening to the alphabet coincides with another awakening: the unsettling knowledge that all of us don't see things in the same way. 

Language Lessons 

The carpet in the kindergarten room
was alphabet blocks; all of us fidgeting
on bright, primary letters. On the shelf
sat that week's inflatable sound. The th
was shaped like a tooth. We sang
about brushing up and down, practiced
exhaling while touching our tongues
to our teeth. Next week, a puffy U
like an upside-down umbrella; the rest
of the alphabet deflated. Some days,
we saw parents through the windows
to the hallway sky. Look, a fat lady,
a boy beside me giggled. Until then
I'd only known my mother as beautiful.

Sunday, January 31, 2016

Parent Child Interview


I asked Izabella and Leo a series of questions that were part of a Facebook meme. Here is the result:

Izabella, 7 (almost 8)

1. What is something I always say to you? I love you.
2. What makes me happy? clowns
3. What makes me sad? Leo hitting me.
4. How do I make you laugh? putting on my clown costume or saying a funny joke
5. What was I like when I was a child? like a clown
6. How old am I? 41
7. How tall am I? 228 cm
8. What is my favorite thing to do? go shopping
9. What do I do when you're not around? go shopping
10. What am I really good at? funniness or shouting at Leo
11. What is something I'm not good at? bicycling
12. What do I do for a job? write books
13. What is my favorite food? rice casserole
14. What do you enjoy doing with me? cuddle

Leo (6 ½)

1. What is something I always say to you? Isn’t it a beautiful day? Or, I love you.
2. What makes me happy? When I am really nice and not fussing and I don’t eat with my hands
3. What makes me sad? If I hit you or I am angry or I hate you or say I don’t love you
4. How do I make you laugh? Saying funny jokes and tickling me
5. What was I like when I was a child? nice
6. How old am I? 42
7. How tall am I? How would I know?
8. What is my favorite thing to do? go outside and have fresh air, cuddle
9. What do I do when you're not around? go shopping, clean the house
10. What am I really good at? Cleaning the house, loving people, being nice, being cute
11. What is something I'm not good at? Lego
12. What do I do for a job? Write a book and take care of us and I think you said you are a teacher
13. What is my favorite food? French fries
14. What do you enjoy doing with me? Cuddling, go shopping

Iza was then inspired to write her own original interview questions for me:

1.Mia kedvenc színed? blue
2.Hány barátod van? 3
3.Hány éves vagy ha 10 évet elveszel? 31
4.Hány éves vagy ha 10 évet hozáadsz? 51
5.Hány gyereked van? 2
6.Hány éves vagy? 41
7.Hányadik osztályban vagy? :)
8.Van 5 almám megetem 2 vásárolok még 2 hány almám van? 5!
9.Mikor születél? November 18, 1974
10.Mia kedvenc éneked? Happy Birthday
11.Mia kedvenc élményed? skydiving with Jason
12.Hol születél? Hutchinson, KS, USA
13.Mia neved? Janet Kay Francesca Kelley
14.Kia kedvenc barátod? Debbie
15.Kika barátaid? Debbie, Akesha, Ashley, Jason
16.Hány éves vagy ha 10+1 évet elveszel? 30
17.Van 6 kutyám 3 kutyám vetem még 1 kutyát hány kutyám van? 9
18.Van 9-3 db gojom kaptam még 6+9 db gojot hány gojom van? 21
19.😀+😄=? Happy!
20.🎁+💖=? Birthday




Thursday, January 28, 2016

a big dose of America

Fries as Destination


Dear Seth,

Meet me in Brussels? Happy to revisit the important work of updating this article with you.

j