Sunday, April 30, 2006

The Cell, NewburyPort, Sailing on the Charles, and Kenya

Compared to the nuptial weekend, this weekend has been very "slow." The weekend was also "lonely" with just the two of us! I had plenty of time to indulge my honeymoon read: The Cellby Stephen King. The King of Creep. I finished it last night in the dead-dark after midnight. I had goosebumps trying to sneak quietly up the stairs to the bedroom--in my own apartment. People should read a King novel just to get jolted now and again. His writing works on you, you have to admit it. Besides high school kids read him (just like I did when I was in high school) and I want to keep up my cool factor.

We did make it up to Newburyport on Saturday. The first annual literary festival was the draw, but the good weather and a day trip from Boston were also key factors. We managed to hear one author speak.

We heard a local author reading from the second book in a planned trilogy. The Season of Open Water is set in a New England town entangled in the Prohibition-era rum-running trade. The author is Dawn Clifton Tripp. She was a good speaker, very candid and open. The historical material for the novel was culled from interviews she did with residents who either remember that era or remember the stories passed down through the generations.

When she read from her book I was convinced to read it, even though she is a "new" author for me! I refrained from purchasing it just yet. My book shelf is too deep as it is. But I will blog her here in my external memory. (A blog is wonderful way to store information in your virtual brain.)

My favorite parts of Newburyport: the tea house and the jewelry store on the corner. The tea house was brilliant--the world needs more tea houses. (Mark my word.) I loved the jewelry story because I discovered a brilliant sapphire that I can wear. It shines like a diamond, without all the political/metaphorical heaviness. I shall have a sapphire one day.

Today we set off to the North End in Boston to catch a day of free sailing--free boat trips are offered to the public at the start of each sailing season. Just as we went out the door, L. called a friend....who invited us to go sailing with him. We stopped in our tracks. He picked us up five minutes from our front door in his MIT sailboat. We cruised the Charles River. It was my very, very first time in a sailboat. It was brilliant. I could be converted to a life that involves more sailboats.

Tonight ends the week of unofficial honeymooning. I have found the destination for the official honeymoon: Kenya. Il Ngwesi. So start saving your pennies if you want to join us for a night sleeping with the lions!

Friday, April 28, 2006

One Week After

The wedding was perfect. Need I say more? One week of wedded bliss. I'll write about it later, perhaps. These things need time to clarify events. In sum: we both said, "I will"; we have rings; there was a feast; our friends gave brilliant toasts (all about us!); we roasted a pig; and the Kansas stars were never so near in the midnight air.

It is back to the reading/writing grind these past few days. It feels good to sleep as much as I need, then wake up to a hardback novel that needs my attention. Finally this afternoon I sat down with my rough draft (I am up to almost 40,000 words!) and did some serious revision. I have a plan to finish the novel. This is good. Endings are tough. Theory is good. Action not so easy (for me, I should say).

Plans for the weekend: the Newburyport Literary Festival. 35 miles from Boston. On the shore. Literary events. Spring air. Did someone say lobster?

Monday, April 17, 2006

Nuptial Fete Menu (April 21) Laszlo Barabasi & Janet Kelley

The Wedding Feast

Aperitifs
palinka (plum brandy), made by Béla Keresztes, uncle of the groom

Blessing
Ronald Kelley, father of the bride

Appetizer
spinach salad with roasted peppers, apple-smoked bacon, romano cheese,
and balsamic vinaigrette
or
original chicken fingers with dipping sauces

Soup
hideg cseresnye leves (chilled cherry soup)

First Course
tenderloin fillet of bison and garlic redskin mashed potato

Toast
Deborah Justice, friend of the bride

Second Course
pan-seared tilapia, seasoned with cilantro and coriander,
served over savory beans in a fragrant broth, bacon, spiced pecan, and garlic,
and topped with tomatoes and crisp leeks

Toast
Boldizsár Jankó, friend of the groom

After-Dinner Entertainment

Champagne Toast
Jason Dinges, friend of the bride

Cake
dobos torta

Dancing

Cheese Course
selection of cheeses, Hungarian salami,
and fresh fruit

Monday, April 10, 2006

Schlink: The Reader

Tonight we will discuss Berhard Schlink’s The Readerfor novel writing class. I admit: I read it twice. I will help lead the discussion and wanted to get a firm grasp on what has been called a “moral maze.” (I also had time due to a cancelled class.) The novel’s central love story involves a fifteen-year-old Michael and a much older woman, Hanna.

In the later parts of the novel Michael, a young law student, watches her trial for war crimes committed during the Holocaust. Michael realizes during the trial that Hanna is illiterate and unable to read the charges against her or set up a defense. She admits to her crimes readily. But because she is busy trying to hide her illiteracy, she appears more guilty than her fellow female guards. She is sentenced to life in prison.

Hanna spends eighteen years in jail, where she learns to read and write with the aid of books Michael reads on cassette and sends to her. The rest you will have to read for yourself. It is a post World War II tale that asks its readers to consider life in the aftermath of terrific violence.

Useful Links

Oprah Winfrey Show: discussion excerpts

Reading Discussion Questions

"Reader's Guide To Moral Maze"

Memorable Lines

"When rescue came, it was almost an assault." (4)

"I didn't reveal anything that I should have kept to myself. I kept something to myself that I should have revealed." (74)

"When I think about it now, I think that our eagerness to assimilate the horrors and our desire to make everyone else aware of them was in fact repulsive." (93)

"All survivor literature talks about this numbness, in which life's functions are reduced to a minimum, behavior becomes completely selfish and indifferent to others, and gassing and burning everyday occurrences." (103)

"Should we only fall silent in revulsion, shame, and guilt?" (104)

"If felt the numbness with which I had followed the horrors of the trial settling over the emotions and thoughts of the past few weeks. . . . But I felt it was right. It allowed me to return to and continue to live my everyday life." (160)

"Pointing at the guilty parties did not free us from shame, but at least it overcome the suffering we went through on account of it." (170)

"You can chase someone away by setting them in a niche." (199)

"The tectonic layers of our lives rest so tightly one on top of the other that we always come up against earlier events in later ones, not as matter that has been fully formed and pushed aside, but absolutely present and alive." (217)


Sunday, April 09, 2006

Whirlwind

March 30 – April 7

The weeks have been a blur. Life lived one event at a time with no room to think about tomorrow. It was quite a change from my writer’s life of pajamas till noon and books as my companions.

We had three guests, one birthday, two parties, late-night girl talk, seafood and pasta, dress shopping and the philosophy of wedding dress shopping, and a tired visit to the Garden of Eden for macaroni and cheese.

After my guests were safely aboard planes and trains, I set off for Kansas and a whirlwind of florists, caterers, and a priest. Pancakes were involved. I was supposed to fly back to Boston late Tuesday, then fly out early to DC.

But the flight was delayed. . . so I had them reroute me directly to DC. I headed for a round of Capital Hill lobbying in my torn jeans. Luckily Ann Taylor at Union Station had just the navy suit and faux pearls (a double strand) that I never knew I always wanted. The shoes were cute, but evil. (Note: wedding shoes –which haven’t yet been purchased—may be less cute.)

Luckily my brother pointed out a Starbucks that morning and praised-be they gave me an embarrassingly huge venti latte by mistake. That tanker of milk and caffeine lasted me until our calorie break at 4:30—an apple thrown into my bag at the last minute way back in the Wichita airport.

We met with every single Indiana congress person and senator. Well, we met with their very young aides. We gave a spiel about the Writing Project. We were intelligent and dynamic and our (my) feet hurt like the dickens. That night wine and cheese at the postal museum reception and then pizza and wine with my brother at the Matchbox.

The next day it was sessions and digital story telling and blogs and the achievement gap. I took the train to Baltimore. I saw the house and the wedding album. I ate a pound of chips and salsa before the enchiladas. Then onboard the flight back to Boston, another delay. My seatmate was something like a soul mate, but we never even exchanged names. Then metro home. Then hugs and kisses. Then bed. Then no dreams, bliss.

Monday, March 27, 2006

Saturday in New York

L., D, and I drove into New York City Saturday morning. First thing: a new york bagel and coffee. Thus sustained we headed into the American Museum of Natural History to see the Darwin exihibit. The exhibit tells the story of Darwin's life and scientific discoveries. There is a nice balance of "live" exhibits and artifacts (such as letters) to keep all ages engaged. We hit the dinosaur halls next. I wanted to see the butterfly exhibit, but we were running out of time and calories.

We left the museum and headed down to see a friend of L.'s for lunch. We ate in a cozy-funky place called Bar 6 in the West Village. Then L's friend took us to see Slava's Snowshow. The entire show is a set of sketches performed by one main clown "Yellow" and a troupe of four "Green" clowns. The Russian clown who started the show has created a piece that transcends political boundaries as well as age differences. There is something for everyone here. Here is one description: If a stray spore of Cirque du Soleil had taken root in one of Dostoevsky's Russian winters, this deeply imaginative act of theatre might have been the result. Slava, a Russian clown of the old school - the really old pre-vaudeville school, surrounds himself with dreamlike scenery and fantastic situations in a show that has won critical approval worldwide. (http://www.entertainment-link.com)

I will refrain from a larger discussion of the existential clowning, but if you wish to know more I would be happy to discuss. Here is one review "Clowns on the Edge of a Nervous Breakdown" that might be helpful. After the show, our friend took us backstage. The cast was relaxing and eating pizza between shows. We learned more about the history of the show and got to see inside the lives that bring the show to life for the audience. We even got to eat pizza with them.

Our final stop in the city was Veniero's Italian cake shop. We had a taste test. We ordered three kinds of cheesecake. Our first pick: Sicilian. Second: New York Style. Third: Italian cheesecake. All three were wonderful, but the Sicilian was over the top.

Poem: The Persistent Accent

I have taken today's poem from The Writer's Almanac by Garrison Keillor. Visit the webpage to listen to the program.

"The Persistent Accent" by Patricia Dobler from Collected Poems. © Autumn House Press. Reprinted with permission.

The Persistent Accent

Until the grave covers me, on foreign soil
I shall remain Hungarian

Hungarian folk song

Because this fat old lady
has exactly the voice
of my dead grandma,
I find myself
trailing her through the supermarket
as she complains to her friend
about the Blacks, the kids, the prices,
age, disease, and certain death,
and I'm seduced
by that Hungarian accent
decades in this country can't diminish,
and I see the smoky fires
of the harvesters, a golden-braided girl
fetching their dinners of peppers and lamb,
and I follow her
through the aisles,
wanting to lay my face
between her hands,
to ask her for a song.

Tuesday, March 21, 2006

Fnuny Stfuf

I cdnuolt blveiee taht I cluod aulaclty uesdnatnrd waht
I was rdanieg. The phaonmneal pweor of the hmuan mnid!
Aoccdrnig to rscheearch at Cmabrigde Uinervtisy,
it dseno't mtaetr in waht oerdr the ltteres in a
wrod are, the olny iproamtnt tihng is taht the frsit and lsat
ltteer be in the rghit pclae. The rset can be a taotl mses
and you can sitll raed it whotuit a pboerlm. Tihs is bcuseae
the huamn mnid deos not raed ervey lteter by istlef,
but the wrod as a wlohe. Azanmig huh? yaeh and I awlyas
tghuhot slpeling was ipmorantt!

Monday, March 20, 2006

Weekend of Mystery

I spent the past weekend clustered around a conference table with twelve other aspiring mystery writers. Actually I have never aspired to write mystery. In fact, except for a brief affair with Mary Higgins Clark in high school, I have rarely picked mysteries to read (plane rides being exceptions, but even for planes I prefer thrillers).

Yet I have known some teachers who teach mystery reading and writing. High school students love it. I thought: never me. I was just too uncomfortable as a nonreader of mystery. Following an old adage to do the thing that most scares me: I signed up for the weekend seminar at Grub Street to learn all I could about the genre as a teacher, not to mention pick up tips for fiction writing for my own novel-ever-in-progress and short stories.

Here is the class description:

Instructor: Hallie Ephron
2 days, 9AM - 4PM, includes hour for lunch
Fasten your seatbelts for this two-day crash course in mystery writing. Mystery author and Boston Globe crime fiction critic Hallie Ephron will step you through the process of turning a kernel of an idea into an intriguing mystery novel. You'll learn to capitalize on your writing strengths and shore up your weaknesses. The class will address:
* planning, twisting the plot, and constructing a credible surprise ending
* creating a compelling sleuth and a worthy villain
* deceiving and revealing with red herrings and clues
* writing investigation, spine-tingling suspense, and dramatic action
* revising-from sharpening characters, to optimizing pace, to smithing words
* making the reader care
Cost of registration includes a copy of Writing and Selling Your Mystery Novel: How to Knock'em Dead with Style.

Ms. Ephron, author of several mysteries (see below), proved to be a dynamic teacher who is both a master of her material and an excellent presenter. We sat there and just absorbed the "bones" of a good mystery. We were given gems of practical tips for writing in the genre (and writing fiction in general), and how to establish oneself in the community.

One of her messages was: writing is not a miracle. It is hard work (massive amounts thereof) coupled with persistence that get published. She encouraged us to believe in our writing. If it is good, it will get published (after much rejection, of course). All in all, she was very positive without being falsely enthusiastic.

I had worried about dedicating an entire weekend to mystery writing. Now I can say that it has given me new ways to see my own novel (for example, how to build good dialogue and suspense). I may also teach mysteries next year armed with my new knowledge and my copy of Ms. Ephron's wonderful craft text: Writing and Selling Your Mystery Novel.

Hallie Ephron Mysteries
(writing as G.H.Ephron)

Amnesia
Addiction
Delusion
Obsessed
Guilt

Visit her website at http://hallieephron.com/


Thursday, March 16, 2006

Yo-Yo Ma (and me)

L. and I made the short walk to the symphony tonight for an 8 pm concert. It was our second trip this year, our first time to hear Yo-Yo Ma. We were fortunate to see James Levine conduct our first visit (he is currently undergoing surgery for an arm injury suffered during on on-stage tumble a few weeks ago). Yo-Yo Ma was the superstar draw and he did give an impressive performance wailing away at this cello. Both L. and I, however, preferred the Ligeti piece. He is one crazy Transylvanian composer, excuse or bias.

Symphony hall is impressive with its wall of organ, ornate gilding, mythological statues, and eclectic crowd. It is worth going just to eavesdrop on the rich array of strange, strange conversations. There are some serious orchestra fans out there.

It is amazing to live within walking distance to the hall, and so many other art venues (not to mention independent book stores, boutiques, etc.--and, of course, a Dunkin Donut on every corner.)

This year in Boston reminds me of the riches of living in Rome, where I studied during college. Indeed, it does feel like I am "living abroad" here in Boston for the year. Only this time I have the cash to go to concerts and eat in restaurants. Truthfully, the free concerts in Roman churches still rival any ticketed event here. The romantic memories of a college year in bella italia are hard to top.

While Yo-Yo Ma was making his cello sing, my mind drifted here and there. I thought of my first cello solo experience back in college. It was a fall night at Notre Dame, waiting in line to buy football tickets. Matt came by (I don't remember his last name! roommate of B.) and played a simple piece (was it by Bach?). I was entranced by that impromptu cello under the stars. In my book, his performance beats Yo-Yo. So, wherever you are Matt, I am sending you my thanks!



Here is a link to the program notes for the concert we heard this evening:

David Robertson, conductor
Yo-Yo Ma, cello
Ligeti, Shumann, Strauss

And an excerpt from Shumann's Cello Conerto